Ni una menos:
A collective identity in Rebeca Lane's rap
In 2015 Ni Una Menos emerged as one of the recent developments of the Latin American feminist movement that has gained important international recognition. In this digital project, I approach the complexity of Ni Una Menos by studying Rebeca Lane’s song named after the movement.
Acknowledgements
- Rebeca Lane for sharing time with me for the interview Rebeca Lane: Voice, Body, and Territory (2022, published in LL Journal 17) and for allowing me to include the video on the website and the photos as part of the analysis.
- Professor José del Valle for supporting me in approaching language and territory while learning about digital formats.
- Professor Cece Cutler for her guidance in researching Rebeca Lane’s rap song as part of her class on Language and Identity.
- LALaC’s sociolinguistics professors for their openness to bring digital projects into the conversations of LAILaC.
- Professors Matthew K. Gold and Lisa Rhody for their advice on digital projects, pedagogy, and skills at GC Digital Humanities
- Digital Fellows for all the discussions on digital projects. Especially, thanks to Leanne Fan and Tuka Al-Sahlani for the conversations on presenting the content in the pedagogical resources we have created together. Those conversations have been with me in the creation of this resource.
- LAILaC’s internal Publics Lab Grant to support the initiative of having a digital component on the second exam of our program.
- New Media Lab for providing a space to discuss the project.